David Kimbrough Jr., son of the legendary Junior Kimbrough and passed away on July 4th 2019, was absolutely one of the most talented Blues musicians in his age who inherited and developed the musical tradition of his father, Cotton Patch Soul Blues. This record, Say You Don t Love Me: The Last Recordings of David…
Materia Collective is honored to present the official Hollow Knight Piano Collections album, in collaboration with composer Christopher Larkin and Team Cherry. Producer and arranger David Peacock and pianist Augustine Mayuga Gonzales team up once again to create 15 gorgeous renditions of favorites from the soundtrack to indie hit game Hollow Knight.
In the 00s, DAVID SYLVIAN produced two of his strongest and most solitary statements, BLEMISH and MANAFON. but those records don’t tell the whole story. during that the same period, SYLVIAN created an alternate body of work: a series of collaborations and side projects with leading talents of pop and improv, electronic and contemporary classical…
For the first time in almost a decade, brothers Taylor and Griffin Goldsmith grace the cover of a Dawes record. It’s just the two of them this time, and as such, Oh Brother marks a distinctive new chapter for the California rock band — one that is both introspective and accessible, all while maintaining their…
Stone-cold classic – the ultimate Studio One tune and the ultimate rhythm & blues soul to reggae cut as Dawn Penn vamps on Bo Diddley, Willie Cobbs. Floor-shaking, speaker-busting SEMINAL tune! The original Studio One CLASSIC Dawn Penn s soaring hypnotic vocal cut No, No, No first time ever on 12 ! Super loud and…
Dax Riggs is a musical exorcist, blending roots rock, doom and Southern gothic. He’s known for his otherworldly lyrics, folk metal ballardry and a gift for capturing the beauty in darkness. From the teenage death sludge of Acid Bath through the country punk garage folk of deadboy and the Elephantmen he has risen. ‘7 Songs…
Pure emotion translates to any arena. Dayseeker graft raw feeling to fluid soundscapes, revolving in an unpredictable orbit around hard rock, electronic, pop, and indie. This time around, the musicians fearlessly strip everything back and deliver ten acoustic tracks, reimagining nine staples from their catalog and serving up a stirring cover. Replica features collaborations with…
Face of Collapse is the second and final studio album by Dazzling Killmen, released on March 14, 1994 through Skin Graft Records. Album is remastered with a bonus stuff!
In 1987, a trio known as De La Soul formed from Long Island, NY roots and changed the landscape of hip-hop as we knew it. Now, for well over 30 years they have rocked us with their De La songs full of inscrutable samplings, whimsically irreverent lyrics, social commentary, light rhythm and laid back rhymes….
In 1987, a trio known as De La Soul formed from Long Island, NY roots and changed the landscape of hip-hop as we knew it. Now, for well over 30 years they have rocked us with their De La songs full of inscrutable samplings, whimsically irreverent lyrics, social commentary, light rhythm and laid back rhymes….
De La Soul s transitional third studio release, 1993 s Buhloone Mindstate, saw the group evolve into a new sound as they continued to grow stylistically and musically. There were several moments on the record which proved the band had matured. I Be Blowin was a departure as the track was an instrumental featuring saxophone by…
De La Soul s second album, originally released in 1991, was initially received poorly by the press and their fans due to its immediate rejection of the daisy-age image created by their debut LP. In the years since, however, it has come to be accepted as a stone cold classic that may even surpass the…
1996 s Stakes is High served as Da La Soul s fourth studio effort overall and the first sans Prince Paul. The album was critically lauded for its music, lyricism, and it s overall message concerning the artistic decline rap music began to face in the mid-90s. The title track and lead single was produced by J…
With the industrial textures of their eponymous debut behind them, the fifth album from Dead Can Dance (Aion, released in 1990) is perhaps the most focused and concise of their albums. Predominately recorded at their own studio in Southern Ireland, it features guest vocals from soprano David Navarro Sust. His vocals add to Brendan and…
The uncompromising eponymous debut, Dead Can Dance (1984), harnessed a bewitching barrage of sounds (including the distinct sound of the yangqin) with the then five-piece interchanging instruments to leave the vocals of Lisa Gerrard and Brendan Perry as the only constant. The album’s cover was important as an introduction too, a Papua New Guinean mask…
Dead Can Dance’s second album, Spleen And Ideal (1985), saw them experiment more with instrumentation, abandoning guitars in favour of cello, trombone and timpani. Widely acclaimed, there was now a richness of unification between voice and music, lyrics and structure, showing they had a concrete sense of the aural ideal they were striving towards. It’s…